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Suni Summers Shares A Story

RRP $13.99

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Suni is a giver - plain and simple. After all, her parents always told her, "When you get, give." So she wants to share a story - 1,000 storybooks with the people in her community. Only she has a huge problem - the weather! Why can't the weather just cooperate and not ruin things? Suni has a brilliant plan and just two days to get the books that she needs. She recruits her family and best friends to help her share her love for books. Suni discovers that sharing isn't always as simple as it seems. Will Suni and her BFFs collect 1,000 books in time for 'give-away' day? Ages 6-10 *Includes a blueberry lemonade recipe!


Lauren Bacall Shares A Limousine

RRP $18.70

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LAUREN BACALL SHARES A LIMOUSINE celebrates women--famous, infamous, the fictional and the footnote, from Frida Kahlo to a Civil War soldier to the mother of Louis Braille to Mata Hari to Dorothy of Oz to Janis Joplin, and many more--in this irresistible and overflowing fountain of witty, sparkling and sensitive poems in voices. Poet Susan J. Erickson seemingly absorbed all the fascinating biographies and telling details of these women's lives, then spilled out poems that brim with memorable metaphor and insight. I'm reminded how profoundly and efficiently a poem can express human experience, and that women's experiences, never doubt it, are boundless.

--Kathleen Flenniken, author of PLUME

In LAUREN BACALL SHARES A LIMOUSINE, Susan J. Erickson reinvigorates the tradition of the dramatic monologue. "I sit still," reflects Lucy, the wife of John James Audubon, during a silhouette cutting. "The scissors know only / the shape of what is, / not what will be." Explaining her love for F. Scott Fitzgerald, his wife Zelda recalls, "Because he moved with the grace of a fencer / dueling with his shadow." But the women of these pages are more than wives; they are pilots and prisoners of war, makers and musicians, actors and artists. One of several standout ekphrastic sequences invokes Georgia O'Keeffe's sense of the Southwest landscape: "a place that picks clean / the gristle and fat of regret." Equally inventive is the collection's play with occupying outside texts--Zelda's "recipe" for bacon and eggs, Marilyn Monroe's self-portrait as the menu items at Schrafft's--and received forms such as the abcedarian and the pantoum. Erickson has a gift for arresting openings, as when "Emily Dickinson Introduces Her Blog" "Propelled by chance's cosmic pull / This Thing called Internet / Allows me from my garret space / To publish this gazette." Clever, haunting, voluptuous, and nervy in turn, these poems challenge our understanding of womanhood across two continents and three centuries.

--Sandra Beasley, author of I WAS THE JUKEBOX and COUNT THE WAVES

In Susan J. Erickson's highly-crafted collection of poems, LAUREN BACALL SHARES A LIMOUSINE, we return to the women who came before us. From the well-known Frida Kahlo and Marilyn Monroe to the lesser-known Monique Braille and Lucy Audubon, these poems offer surprise, delight, and poignancy. Erickson's sharp sense of play and imagination is her signature on these poems--the Venus de Milo dresses for a Halloween party, the Little Mermaid joins the Aquatic Arts Academy. The reader is rewarded with every turn of the page as the lives (both real and imagined) are spoken, explored, and expanded. Here, women stretch in the spaces "of the calm and chaos of sunrise and sunset, / the shimmer of amber, / the roar from the lion's mouth." Smart and accessible, these poems satisfy our desire for stories, and Erickson doesn't disappoint. Recommended for every bookshelf.

--Kelli Russell Agodon, Author of HOURGLASS MUSEUM & THE DAILY POET


Addingham Houses 1750-1850

RRP $12.99

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Before 1750 Addingham was a small farming community but during the next 100 years (the period covered by this book) the village was transformed by the coming of the textile industry and the construction of substantial mills and related enterprises. This expansion produced wealthy mill owners who needed suitable housing for themselves and their families and also lesser properties for their workers. It is very fortunate that so many houses of this period still exist in Addingham (which has over 100 listed buildings) and, indeed, much of Main Street is still lined by original buildings. In the first part of this book, local historian Arnold Pacey has written chapters about the principle property owners, particularly the Cunliffes and the Cockshotts, and describes the houses that they built, with detailed pen and ink drawings (mainly by the author) of architectural features, and photographs of some of the houses. The second part of the book is devoted to the builders, stonemasons and other craftsmen who built the houses and the distinctive working methods which left their mark and show who built which house. Particularly featured here are generations of the Breare family. The second edition, published 2015, has the addition of an old photograph of North Street which has provided the author with further information about the houses in that street and enabled related changes and additions to the text.


Lauren Bacall Shares A Limousine

RRP $18.70

Click on the Google Preview image above to read some pages of this book!

LAUREN BACALL SHARES A LIMOUSINE celebrates women--famous, infamous, the fictional and the footnote, from Frida Kahlo to a Civil War soldier to the mother of Louis Braille to Mata Hari to Dorothy of Oz to Janis Joplin, and many more--in this irresistible and overflowing fountain of witty, sparkling and sensitive poems in voices. Poet Susan J. Erickson seemingly absorbed all the fascinating biographies and telling details of these women's lives, then spilled out poems that brim with memorable metaphor and insight. I'm reminded how profoundly and efficiently a poem can express human experience, and that women's experiences, never doubt it, are boundless.

--Kathleen Flenniken, author of PLUME

In LAUREN BACALL SHARES A LIMOUSINE, Susan J. Erickson reinvigorates the tradition of the dramatic monologue. "I sit still," reflects Lucy, the wife of John James Audubon, during a silhouette cutting. "The scissors know only / the shape of what is, / not what will be." Explaining her love for F. Scott Fitzgerald, his wife Zelda recalls, "Because he moved with the grace of a fencer / dueling with his shadow." But the women of these pages are more than wives; they are pilots and prisoners of war, makers and musicians, actors and artists. One of several standout ekphrastic sequences invokes Georgia O'Keeffe's sense of the Southwest landscape: "a place that picks clean / the gristle and fat of regret." Equally inventive is the collection's play with occupying outside texts--Zelda's "recipe" for bacon and eggs, Marilyn Monroe's self-portrait as the menu items at Schrafft's--and received forms such as the abcedarian and the pantoum. Erickson has a gift for arresting openings, as when "Emily Dickinson Introduces Her Blog" "Propelled by chance's cosmic pull / This Thing called Internet / Allows me from my garret space / To publish this gazette." Clever, haunting, voluptuous, and nervy in turn, these poems challenge our understanding of womanhood across two continents and three centuries.

--Sandra Beasley, author of I WAS THE JUKEBOX and COUNT THE WAVES

In Susan J. Erickson's highly-crafted collection of poems, LAUREN BACALL SHARES A LIMOUSINE, we return to the women who came before us. From the well-known Frida Kahlo and Marilyn Monroe to the lesser-known Monique Braille and Lucy Audubon, these poems offer surprise, delight, and poignancy. Erickson's sharp sense of play and imagination is her signature on these poems--the Venus de Milo dresses for a Halloween party, the Little Mermaid joins the Aquatic Arts Academy. The reader is rewarded with every turn of the page as the lives (both real and imagined) are spoken, explored, and expanded. Here, women stretch in the spaces "of the calm and chaos of sunrise and sunset, / the shimmer of amber, / the roar from the lion's mouth." Smart and accessible, these poems satisfy our desire for stories, and Erickson doesn't disappoint. Recommended for every bookshelf.

--Kelli Russell Agodon, Author of HOURGLASS MUSEUM & THE DAILY POET



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